This episode opens with Connie making plans with her friend to sneak away and see a concert. In classic “as you know, Bob,” style, she reveals to us that her mother wouldn’t approve of her going, which is why it needs to be a secret. Dun dun dunnnnnn!
She asks Whit if she can leave work early, and he says he’s fine with it, but asks for her help sorting through some books. Some are ones he bought, and others he wrote himself. He picks up one and laughs, saying it’s a particular favorite of his. He isn’t really clear on why; the main adjective he uses is “cute.” Connie is curious, and despite Whit is happy to let her take a break done and read it.
The story is about a kid who is described as good, but going through a stage where he wants more independence. He wants to go to Whit’s End to check out some new displays, but his parents tell him to pick up some flour. His dad needs to use to car for work, and his mom needs to stay home and watch the baby, so he’s the only one who can do it. Instead of going straight to the store, he decides he can do both. Naturally, he ends up both losing track of time, and losing the money.
When he arrives home, he tells his mom that some bigger kids stole the money from him. In standard morality tale style, the lie escalates until he’s receiving an award from the mayor for… reasons? Anyway, he ends up in front of a big audience, being given honors he knows he doesn’t deserve. He takes a deep breath, and accepts it. He lives out the rest of his life without ever being found out.
Connie is startled by this ending. Narrative convention dictates that he be found out, and learn that you can’t get away with lying. Whit asks her if he really did get away with it. For the rest of his life, he has to remember that one time he deceived his mother, and it weighs on him long after everyone else has forgotten the whole incident. It shouldn’t surprise any of you to know that Whit figured out long ago that Connie was going to this concert and lying to her mother. He tells her she still has the afternoon off, if she wants it, but she should think hard about what she’s doing.
The episode ends with Connie calling up her mother.
I have complicated feelings about this episode. Complicated here means, “I essentially agree with their point, but details of the execution bother me, and I’m honestly unsure whether the pros outweigh the cons.” Lies can occasionally be justified, such as when you’re protecting yourself or someone else from abuse, but in most cases they just trade a little temporary inconvenience for an emotional cage. Whit’s story illustrated this very well.
On the other hand, his methods were manipulative. There’s something ironic about telling a lie to convince someone to not lie. My approach, if I were in Whit’s place, would be to ask her why she doesn’t think her mother would approve. Sometimes, when you make someone spell their reasoning out, they realize on their own that it’s a bad idea. Other times, you learn that you have been misjudging them, and that they have better reasons for their actions than you thought. Maybe her mother is manipulative and stifling, and Connie just needs to get away and be herself for a bit. I’ve been there. If that’s the case, and I think the concert is not a good place, maybe I could offer her a safer means of escape.
Speaking of which, it isn’t clear why this concert is so bad. In Adventures in Odyssey, the word “concert” is automatically suspect, unless modified by “classical” or “Christian.” Also, parents are always right, unless they are non-Christian, in which case they are always wrong. In my world, though, there are a number of factors that affect whether this is a little bad or extremely bad. Will Connie be exposed to drugs and alcohol and do I trust her to be responsible about that? How far away is the concert? What kind of people will she be with? Does somebody know exactly where she’s going and when she’ll be back? Does she have someone she plans to check in with at any point? The writers of the show and I have very different values. They worry that about the state of her soul, which is best protected by controlling her tastes, influences and sexuality. I mostly just care about her safety; if she’s sneaking off to see the Grateful Dead in the park I don’t see what the problem is.
An open, honest conversation about his misgivings would have run the risk of Connie going ahead with her plans, but you know what? When you genuinely respect someone, you take that risk. You try to minimize the damage they can do to themselves and prevent them from hurting others, but other than that, you respect their right to learn from their own mistakes.
And in a way he did, in that he gave her the afternoon off, but I actually feel like it would have been less manipulative to simply say, “no you can’t have the afternoon off.” He would be perfectly within his rights; she made a commitment and chose to ask at the last minute. Instead he does her a favor, which makes her feel indebted to him, and then guilt-trips her.
So in the end, I think I’m coming down on this episode having more negatives than positives. I still think it’s better than some of the previous episodes I’ve reviewed, as there is a genuinely good point in here, but the execution is manipulative and hypocritical.