What It’s About
An epic bildungsroman about a young girl’s journey from fugitive to folk hero, set in a future where space is colonized by Caribbean peoples.
Why I Think You Will Like It
God, there are so many levels on which I want to recommend this, it is honestly hard to pick where to start.
First there’s the sci-fi coolness level. This is a fucking awesome world. You’ve got your androids, your nanotechnology, your pocket dimensions and your aliens, all well thought and neatly integrated into the coolest fucking neo-Caribbean culture. The dialect and carnivals and food and clothing all make for a spin on space opera that I desperately want to see more of. This was my first taste of Afrofuturism and I got hooked, in the best way.
Then there’s how it handles abuse and trauma. Tan-Tan is a fun protagonist, full of spark and wit and ferocity. She’s a perfect blend of larger-than-life enough to be thrilling, but flawed enough to be relatable. In her childhood you see the makings of a rogue on par with Han Solo or Jack Sparrow. At the same time, people don’t become that devilishly tough without surviving some absurdly scary shit first. This is a hard balance to portray; how to be honest about the pain of trauma survival without losing the fun of a thrilling adventure? Not only does Nalo Hopkinson pull this off, but she pulls it off with some subject matter that even very skilled Serious Literary Authors can fumble badly. (see content warnings for details, and some mid-book spoilers)
And then there’s just the story as a story. It starts out fascinating, takes several twists, builds to a point where you can’t see a way out and are internally bargaining for at least a bittersweet ending, and then explodes into a perfectly satisfying eucatastrophe. This book is not just science fiction at its best; it is storytelling at its best, period.
With all that, I still have not mentioned how it handles imperialist colonization tropes, or how the aliens as individuals are some of the most relatable characters but as a group feel genuinely alien, or the beauty of the prose, or how the folk tales within the novel are beautifully atmospheric… gah, just go read this book! Read! This! Book!
It’s definitely a grown-up book. There are fight scenes, alcoholism, nudity, and lots of swearing. Also, by way of a trigger warning, there is child abuse, including sexual. The actual scenes are brief, but realistic and scary.
I’m almost reluctant to admit to that last, because if I had known I might have been more shy about this book, given that I picked it up wanting a fun adventure (which I got!). Sexual abuse and fun adventure stories don’t usually go together, or if they do it’s because the victims were used as cheap props to artificially up the stakes.
One in three women and more men than you’d think survive some form of sexual assault, and in the real world that does not mean their lives have to be doom and gloom forever. The problem with addressing that in fiction is that it can too easily turn into dismissing or understating the pain. But it is equally a problem to build up the expectation that a survivor of sexual assault is Ruined Forever(TM)! It’s just another thing that makes coming out as a survivor more difficult. People are genuinely baffled to meet a survivor who is not Ruined Forever(TM)!
This is one of the few books I’ve read that actually has an honest, painful, doesn’t-happen-in-one-epiphany recovery for a survivor of abuse. It does this while also giving you a fantastic fantasy romp. If sexual assault is a major trigger for you, probably don’t read this book. But if it’s not, give it a try. Books like this need to exist.