Before I start on the real show, I feel the need to actually describe Chris’s intro. Normally I skip them because, in the words of Tom Haverford of Parks and Rec
But this time, she commits a crime which must not stand unremarked upon. She’s at a blood bank, and runs into someone with the type B+. And if you’ve noticed the title of the episode, you know there’s some prime Dad joke fodder there. So what does she do?
She laughs, then apologizes, and says, she’s sorry, it’s just that the episode is about being positive and there’s just a loose connection between being positive and “B+.”
She, a fictional character, who could have been written to say anything, laughs at the joke inside her own head, and then explains the joke without delivering it.
I’m sorry, but I could not let the murder of that perfectly respectable pun go unwitnessed.
Also, I don’t think I’ve commented on this before, but in a lot of the episodes where she has a mini-story, rather than just a bad TED talk, she also directly tells the other characters that they are about to hear an episode. At other times, she acts as if she’s eavesdropping on live events. This creates a weird intra-narrative paradox. Is AIO a show within a show, and all this time we’ve been witnessing the descent into madness of a fallen voice actress who comes to believe her only remaining gig is real? Or is she a Deadpool-like figure who is aware that she is in a work of fiction? If so, do the characters she talks to also know that they are in a work of fiction, or do they think she’s completely lost it? And what about the mini stories that take place inside the sound booth, while she’s canonically recording the intro for this radio show? What is the canon here?!?!
I’ve spent far too much time on this.
This episode properly begins with Connie struggling to concentrate on her homework. She’s studying for a geography test, and it’s one of her least favorite subjects. She decides to turn the TV on for some background noise. On an Oprah-type show, the host interviews a self help guru. He talks about how, say, sometimes students study hard but still failing because of stress and negative thinking. He says that, with a better attitude, you can do better even with less studying. Connie promptly decides to abandon studying for the adoption of a positive attitude.
We only hear a brief clip, so it’s hard to tell whether Connie’s decision is an accurate reflection of his overall message. He doesn’t actually say that positivity makes hard work unnecessary. He also doesn’t clarify that attitude alone can’t save the day. There are some people who make their living overselling things like willpower and mindfulness and positive thinking. At the same time, there is real use in those things, when balanced with practical action. It’s not entirely clear, at this point, whether they are directing their main criticisms at Connie, or the self-help guru.
Connie takes her test and turns it in with confidence. In her mind, she has already aced it. Then she waltzes up to her friend Cheryl. Cheryl loves singing, and Connie thinks she should try out for the glee club. Cheryl isn’t sure. She hasn’t had any formal training, nor has she even really sung in front of other people. She likes singing to herself in the shower, basically. But Connie gives her a pep talk and some catchy mottos, and Cheryl gets caught up in the enthusiasm. She signs up for auditions
Next Connie runs into Jimmy Barclay, who is practicing with his rather sucky basketball team. They are getting down on themselves, and she decides to deliver her new philosophy once again. She tells them their practicing isn’t working, so they should focus less on drills, more on getting pumped. At first they are skeptical, but when she makes a basket, seemingly with nothing but the power of positive thinking, they get into the idea.
One kid, Peter, goes to her afterwards and reveals that he has a fear of heights. All his friends who walk to school take a shortcut across a train trestle in McAllister Park, and he has to wake up an hour earlier because he can’t do it. Also, he gets teased.
Connie suddenly realizes that she is going all in on an untried philosophy, and frankly this kid sounds like he has a serious phobia that should be worked through with a qualified therapist. Naw, just kidding. She tells him that happy thoughts are magic.
That Saturday, Connie tells Whit all about her winning new philosophy. Which has not actually won anything yet. Whit calls it one of the most ridiculous things he’s ever heard. She drags him along to her friend’s audition, to prove him wrong.
Cheryl bombs it. Turns out she’s actually very tone deaf, and never knew it because, you know, this is literally the first time she’s sung in front of a living human. Whit isn’t happy that Cheryl was embarrassed, but he hopes he’s at least talked Connie out of this silly idea. Connie argues instead that Cheryl wasn’t really positive enough. It isn’t that the theory doesn’t work, but that Cheryl let herself get nervous before the audition. So she hauls Whit to Jimmy’s basketball game.
These kids definitely do not have an attitude problem. They’re chanting and cheering each other on loudly. The coach even compliments them on their spirit. He announces that next time around they are going to work on the skill part of the picture, because they have just lost 56 to 12.
Now it hits Connie that she might be wrong. There’s a little bit of obligatory “don’t trust this motivational speaker’s book, trust the Bible.” Yeah Whit, the Bible definitely has a whole bit on how, in the late twentieth century, Western civilization will be swept with a fever for trashy self-help books. It’s right there in Jeremonicus 4:20, “yea, you shall read these books, and you shall take from them that you deserve to love thyself and work on thy goals, but thou shalt take their advice with a grain of salt, for verily they maketh extraordinary claims without extraordinary evidence.”
Anyway, then Connie notices that Peter isn’t at the game. His team says he had something to do at McAllister Park, and Connie remembers the train trestle. This is a radio show, but I swear you can see her eyes bug out with the realization. Whit and Connie rush over there.
Peter did pretty well, to be honest. He got halfway over before the power of positive thinking wore out. Technically Connie’s best success yet.
Less good news; he is now absolutely frozen in the middle of the tracks. You know, the train tracks. That actual trains run on. And since they make train schedules based on dramatic impact, one is coming right now.
Whit goes out and gets him to jump. Both of them are okay, and Connie is totally over positive thinking.
Although, to rub it in, she gets a D in geography.
This is the first of my theme on personal development. In retrospect I could have combined some of this with the mental health theme, but while that was about dealing with emotional problems, this is more about the ongoing process of growing, regardless of whether or not you are starting from a healthy place. AIO is a show that is obviously very into learning to be better, but they also have a kneejerk distrust of self improvement that isn’t directly tied to religion. That said, the distrust isn’t always unwarranted. There genuinely is some bullcrap out there, and apart from my slight nitpicks, I like what this episode is trying to say.
Best Part: I give Whit a lot of crap, because I think he is put on a very undeserved pedestal by the writers and characters. But I’ll hand it to him; his jump at the end is pretty badass.
Worst Part: The death of that poor, poor pun.
Story Rating: Moves along at a nice steady pace, a little formulaic but not in a bad way. It knows what it is supposed to be, and it is exactly that. B
Moral Rating: I wish the delivery of the moral was more “look the reasoning and evidence” and less “look at what the Bible says,” but the story illustrated the point pretty neatly. And frankly after all the crummy morals from the last theme, I feel like acknowledging the good in this series. In other words, I’m gonna B+