Tag Archives: representation

I Remember Beirut, by Zeina Abirached

I remember Beirut

  • Genre
    • Non-Fiction, Memoir, Graphic Novel
  • Summary
    • The memories of a childhood spent in the middle of no man’s land, during the Lebanese Civil War.
  • Character Empathy
    • Characters are sketched very simply, but in a way that doesn’t diminish them. In the same way that a silhouette can trigger a more visceral reaction than a photograph, the characters here don’t suffer even a little for the brief glimpses you get of them. 
  • Tone: What’s it Like to Read This Book?
    • Simultaneously light and thought provoking. I brought it to work and finished it in one lunch break, then was mulling over it for days later. It’s sad, but in many ways also beautiful and hopeful.
  • Other Shiny Stuff
    • As you can no doubt see from the cover, the art is absolutely beautiful.
    • The contrast between the perspective of Zeina and her brother, for whom all of this is normal, and their parents, who remember the old days and are trying to give their children a normal life despite everything. It’s understated and perfect.
    • There is a story about a terrible barber that I absolutely loved. I can’t explain why, but something about it was immediately familiar and made me laugh. You’ll just have to get the book and see what I mean. 
    • Almost every sentence in the book starts with “I remember,” but it never gets tiresome. It just pulls you straight through. I don’t know how she does that.
  • Content Warnings
    • Although the time is brutal, there is no graphic violence. It’s more about psychology. How does the human mind adapt to a world where violence is your next door neighbor? It’s about damage, but also resilience, and finding joy and beauty in the little things.
  • Quotes
    • “I remember that during the war, the school bus skipped our neighborhood. The neighborhood’s alleys were close to the demarcation line and had a dangerous reputation. The bus would stop at Ward’s ice cream parlor at 6:30 every morning and 3:30 every afternoon. By virtue of being on the edge of the zone where the bus didn’t dare go, Ward’s had been turned into a bus stop.”
    • “I remember back when you could still smoke in planes. I remember that during the war, we were short on water, bread, electricity, and gas… but never cigarettes. I remember that every living room had a platter with packs of cigarettes on it. The hostess would offer them to her guests, as if she were passing around chocolates.”
    • “I remember my brother collected bits of shrapnel. I remember that after my brother’s outings with Chucri, he would spread his loot out all over the coffee table. Then he would put the shrapnel away in a basket my mother had given him. I remember that I had taken to leaving my backpack by my bed at night. In my backpack, I had everything I wanted to take with me, if we had to run.”
    • “I remember old Kit Kat wrappers. I remember the three steps before eating: ripping through the glossy red paper, folding back the white tissue paper, and crinkling up the foil.”
    • “I don’t remember the last day of the war. But I remember the first time you could take a real shower.”

Where the Line Bleeds, by Jesmyn Ward

Where the Line Bleeds

  • Genre
    • Fiction, Drama
  • Plot Summary
    • Upon graduating from a poor high school near New Orleans, twin brothers Joshua and Christophe look for work. Joshua finds it, but Christophe doesn’t, and turns to pot dealing. As Joshua becomes afraid of the path Christophe may be following, and Christophe becomes resentful of Joshua’s good luck, both struggle to keep the relationship that has let them survive this far. 
  • Character Empathy
    • The two protagonists are lovingly detailed. Some of the secondary characters are a little less fleshed out, but on the whole, I liked all of the main characters, even while I felt the need to scream “what are you doing? Don’t do that thing! That won’t end well for you!” 
  • Tone: What’s it Like to Read This Book?
    • The pace here is simultaneously luxurious and suspenseful. The book takes time to set up the characters, so you never have to ask “why do I care?” You care because you know Christophe and Joshua, and you know what they’re going to do, and if they don’t get through their shit okay then so help me… and once the book has you in that position, it just lets you stew, for page after page while the tension builds and the climax is inched towards. It’s agony, but god help me if I didn’t love it anyway. 
  • Other Shiny Stuff
    • The scenes are full of the kind of sensory details that too many authors neglect. Jesmyn Ward knows that to really put readers into a scene, you shouldn’t just tell them what a thing looks like. We need to know smells, sounds, tastes and textures. I can still remember a scene where their grandmother was preparing shrimp, not because of anything special that happened, but just because I really felt like I was there.
    • Teenage characters who actually feel like dumb teenage boys, while still being incredibly sympathetic. Not many people can pull that off. 
    • No spoilers, but I was so worried that I wouldn’t like the ending and I very much did. 
  • Content Warnings
    • Some fistfights and obviously drug use (mainly alcohol and marijuana). Without going too deep into my personal politics, I think the substance abuse is handled very well; not demonized, not glorified, just portrayed as something people are vulnerable to when they have nothing else in their life to look forward to.
  • Quotes
    • “Christophe peeled the shrimp slowly and carefully: that was his way around her, and it was the exact opposite of his usual demeanor. She knew it for what it was: love.”

The People Could Fly, by Virginia Hamilton

people could fly

  • Genre
    • Folklore
  • Plot Summary
    • A series of tales passed down by generations of Black storytellers, gathered from collections and primary sources by award winning children’s author Virginia Hamilton.
  • Character Empathy
    • As with oral folklore found around the world, the characters are more archetypes than individuals. However, this book does bring subtle but powerful empathy for it’s storytellers, as Virginia Hamilton points out the elements of the stories that came from the struggles of slavery and reconstruction. 
  • Tone: What’s it Like to Read This Book?
    • The loving care put into this project is evident on every page. So many of these stories have either been erased from mainstream folklore collections, or only presented in whitewashed or minstrelized versions. This was a work that came from a passionate hunger to put these stories back in their rightful place.
  • Other Shiny Stuff
    • I loved the variety in this collection. There’s humor, fairy tales, animal fables, riddles and tall tales. I love studying the common roots of fairy tales, and I saw ones that clearly shared DNA with stories I’ve read since childhood, and ones that were brand new to me. Either way, I was a very happy folklore geek.
    • Each story comes with a note on the cultural and historic context, which again made the folklore geek in me really happy.
    • Virginia Hamilton worked very hard to add in elements of the original dialects, enough to make it evocative and honor the original voices but not enough to confuse the average reader (as opposed to those old Uncle Remus collections that are almost unreadable). In my opinion, she hit that balance perfectly.
    • Most of the stories are pure fun, but the title story was so beautiful I honestly got a little choked up. 
  • Content Warnings
    • It is intended to be suitable for parents to read to their children, so there’s nothing to talk about here. 
  • Quotes
    • (from the author’s introduction) “These tales were created out of sorrow. But the hearts and minds of the black people who formed them, expanded them, and passed them on to us were full of love and hope. We must look on the tales as a celebration of the human spirit.

Blood Child, by Octavia E Butler

BloodChild

  • Genre
    • Science Fiction, Short Story Collection
  • Plot Summary
    • Five stories (seven in the 2005 edition) by Octavia Butler, who broke ground as one of the first Black women to publish speculative fiction and won multiple Nebula awards, including one for the title story.
  • Character Empathy
    • As I noted in my review of Kindred, I think Octavia Butler is a bit more of a setting/concept writer than a character writer. I think the short story format helps bring her characters out a lot more, though. I especially like that she’s not afraid to give her characters reactions that are hard to talk about. We all have those parts of ourselves that don’t follow the standard script. Whether we act on them or not, we all have thoughts and feelings that are bewildering, taboo, or just strange enough that we are embarrassed to share them. When you read your stories, you find yourself understanding things that you were afraid to even admit were part of you.
  • Tone: What’s it Like to Read This Book?
    • I love short stories, because of how easy it is to get sucked in, then pop out and meditate on the story as a whole. Her style plays to that very well. The stories are idea-dense, and each one made me think for days afterwards. 
  • Other Shiny Stuff
    • Made up sci-fi diseases that are well thought out and have terrifying, yet thought provoking consequences.
    • Dystopias that explore what it means to survive, and put marginalized  characters at the center.
    • Aliens that feel really, truly alien.
  • Content Warnings
    • Several stories explore violence and very twisted relationships
  • Quotes
    • “First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.”
    • “Shyness is shit. It isn’t cute or feminine or appealing. It’s torment, and it’s shit.”
    • “If you work hard enough at something that doesn’t matter, you can forget for a while about the things that do.”

Americanah, by Chimamanda Ngozi Adichie

americanah

  • Genre
    • Drama, Realistic Fiction, Romance
  • Plot Summary
    • The story of Ifemelu, Nigerian immigrant who becomes a successful writer and returns home, and Obinze, the college boyfriend who she hopes to reunite with.
  • Character Empathy
    • Much of this book is about making you understand people. Why do some people become religious extremists, or pick up a sugar daddy, or attempt suicide? Why do people lie and steal identities? Why do people try to hide their accents? Why do people change their hairstyle? This book never preaches. You don’t get to come to conclusions as simple as “she did the wrong thing” or “she did the right thing.” You just learn to understand.
  • Tone: What’s it Like to Read This Book?
    • You’re surprised at how much you laugh, given that the protagonist grows up with war and then endures poverty, sexism and racism. Ifemelu survives by her wit, both in the sense of her intelligence and her snark. Her ability to cut through bullshit is absolutely delightful. 
  • Other Shiny Stuff
    • Nearly half of the book is just Ifemelu sitting in a hair salon getting braids and reminiscing about Obinze, and I don’t even care. She makes a hair salon so vivid and funny I could have spent the whole book there. If she ever writes a spin-off about the braiders at the salon I will buy it immediately.
    • So much feminism. It’s feminist heaven.
    • Obinze and Ifemelu are so damn shippable. I’m not typically a romance reader, because I’m too picky about couples chemistry. You can’t just tell me two people are soulmates; you have to really sell it. At the end of this I was making threats to the book about what would happen to it, library copy or no, if it didn’t end well for them.
    • Relationship conflicts that aren’t contrived and do resolve in ways that make sense for the characters.
    • Speaking as a white person to other whites, I’ve learned a lot from this whole project, but nobody has schooled me like Chimamanda Ngozi Adichie. This should be required reading.
  • Content Warnings
    • One sex scene may be triggering for survivors. It also might be comforting, in a “somebody gets it” kind of way. It doesn’t dominate the story but it’s a necessary turning point, and it doesn’t sexualize the event in the slightest.
  • Quotes
    • “Racism should never have happened and so you don’t get a cookie for reducing it.”
    • “If you don’t understand, ask questions. If you’re uncomfortable about asking questions, say you are uncomfortable about asking questions and then ask anyway. It’s easy to tell when a question is coming from a good place. Then listen some more. Sometimes people just want to feel heard. Here’s to possibilities of friendship and connection and understanding.”
    • “The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America.”
    • “What a beautiful name,” Kimberly said. “Does it mean anything? I love multicultural names because they have such wonderful meanings, from wonderful rich cultures.” Kimberly was smiling the kindly smile of people who thought “culture” the unfamiliar colorful reserve of colorful people, a word that always had to be qualified with “rich.” She would not think Norway had a “rich culture.”
    • “She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself.”

The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie

The Absolutely True Diary of a Part-Time Indian

  • Genre
    • Young Adult, Semi-Autobiographical
  • Plot Summary
    • Arnold Spirit Jr, the mildly disabled, perpetually bullied egghead of the Spokane Indian Reservation, gets fed up with the hopelessly outdated schools and transfers outside the Rez. He becomes an outsider both at his new school, where he’s the only Native American, and at home, where he’s seen as a traitor for leaving. The entire world seems out to get him, but it has made one serious miscalculation; he’s got a twisted sense of humor and absolutely nothing left to lose. 
  • Character Empathy
    • In some ways, this book is deeply empathetic. The first person narration immerses you deep within Jr’s point of view, and also invests time in unveiling the hidden reasons why those around him do what they do. In other ways, it’s faithful to the periodic other-person-blindness that infects all teenagers. Jr has enough to deal with; he doesn’t need to deeply empathize with every jerk who picks on him.
    • What makes this mixture work, though, is that the it’s not as simple as Jr empathizing with everyone who is nice to him and hating everyone who is mean to him. Sometimes that’s the case, but other times he understands why somebody is being mean to him. Sometimes he takes for granted somebody who is kind to him. As his relationships evolve, so does his level of empathy with the people around him. 
    • Nobody is simple. Even as cultural differences between reservation Native Americans and small town white people are discussed, no individual’s actions can be boiled down to “they’re an X so they do Y.” Some characters start out enemies and become friends, or start out friends and become enemies, and sometimes they go back again. Everybody is made of conflicting pieces. Everyone is a human being.
  • Tone: What’s it Like to Read This Book?
    • Jr. isn’t depressed so much as he has rocketed straight past depressed into “all out of fucks, bring this shit on.” That gives this book a tone not quite like anything else I’ve read. It’s raw and real, but at the same time, it constantly laughs at itself, and from that laughter comes strength, and from that strength comes Jr’s ability to take on the next challenge. He never really expects to win, and most of the time he’s right, but he is never willing to back down. It starts as cringe comedy but eventually becomes genuinely impressive. 
    • Also, there’s this recurring theme of deep profound thoughts interrupted by bad, bad teenage boy jokes, and I am a hundred percent there for it.
  • Other Shiny Stuff
    • There’s a scene with a white schoolteacher on the Rez that, in so many other books, would turn out white saviory. But this book was written by an actual Native American, that wasn’t going to happen. The teacher has to earn his right to give good advice by first confessing all the racist shit he’s seen and been complicit in. In addition to being a truthful window into oppression and cultural genocide, it makes for a more compelling character in the teacher and a far more powerful scene overall. 
    • All the main characters are great, but I’ve got to mention this coach who I thought was going to be a macho asshole but instead he’s really empowering and sweet. He gives a speech about how crying just proves you care and caring gives you strength, so if you feel like crying, do it and don’t be ashamed. He says the same thing later about being nervous. I loved him so much.
    • There’s another scene where Jr and his friend talk about books and reading and the inspiring awesomeness of learning, but it also has boner jokes, which in my opinion elevates the scene from good to fucking required reading. If you think boner jokes are funny. 
    • The message here is real as shit. It’s not about working hard until your chance comes and then seizing that chance and then suddenly fame and fortune and the American Dream! Jr. doesn’t have a shot at an amazing prep school that will guarantee his admission to Harvard. He has a shot at a dinky rural high school where the books were printed sometime this decade. The point of this book is that, when you’ve got nothing left to lose, do something stupid and reckless and risky that makes you feel like you’ve got hope again. Doesn’t matter if it pays off or not. You die without hope, and it’s the shittiest kind of death; the kind where you go on living like a zombie for ages before you actually die. So hope, even if it might not work out. At least you’ll stay alive until you die for real.
    • The paper form comes with pictures of Jr’s cartoons and they’re hilarious. The audiobook is read by Sherman Alexie, who has a slightly nasal, awkward voice that works for Jr so well, I kept forgetting Jr wasn’t a real person. Both are perfect.
  • Content Warnings
    • Tons of bullying, alcoholism and a few deaths. 
    • Racist and ableist language, including some that is internalized by Jr. It’s an accurate look at how toxic attitudes around can seep into a person’s head, even if they know rationally that they are wrong. The book finds ways to show you Jr is an awesome kid, even when he’s calling himself names.
  • Quotes
    • “I grabbed my book and opened it up. I wanted to smell it. Heck, I wanted to kiss it. Yes, kiss it. That’s right, I am a book kisser. Maybe that’s kind of perverted or maybe it’s just romantic and highly intelligent.”
    • “Life is a constant struggle between being an individual and being a member of the community.”
    • “If you let people into your life a little bit, they can be pretty damn amazing.”

Planetfall, by Emma Newman

Planetfall

  • Genre
    • Science Fiction, Suspense, Space Colonization
  • Plot Summary
    • I don’t know how to describe this without spoiling anything. When this book was recommended to me, it was recommended that I read it without any knowledge of what was to come, and I’m so glad I did. So I’ll give you details about some of the fun things to come in the sections below, but for plot I’ll just say, strap in and enjoy the ride.
  • Character Empathy
    • The protagonist is richly developed, to the point that even when you think she’s doing something completely wrong and foolish you still want it to work out for her somehow. Her secrets make her somewhat isolated from the others, so you can’t get to know them as well, but they are still interesting, multifaceted and likable.
    • This story does not give you a straightforward villain. Antagonists, yes, as well as people who make decisions that are hard to condone. But the reasons they have make it difficult to judge them. I love books that can truly pull that off, and this one does.
  • Tone: What’s it Like to Read This Book?
    • It’s like a Hitchcock movie; sheer, agonizing suspense that never sacrifices character for plot or resorts to cheap tricks to make you jump.
  • Other Shiny Stuff
    • A bio-engineered extraterrestrial colony that was well thought out and like nothing I’ve ever read before.
    • Brilliantly paced exposition. I was always curious but never frustrated or confused. So few writers can pull that off, and I’ve gotten used to forgiving some missteps, but Emma Newman did not have a single moment to apologize for.
    • Most of the main characters are POC. The protagonist is Black and a lesbian. Nobody in the colony thinks this is a big deal.
    • One of the most relatable descriptions of an anxiety disorder that I’ve ever read.
    • Questions about the intersections of religion and science that were organic to the plot, dodged every cliche and managed hit that sweet spot between frustratingly vague and boringly preachy.
  • Content Warnings
    • There is no shortage of anxiety involved when reading this, but I can’t think of anything specifically graphic or commonly triggering.
  • Quotes
    • “I think “majority” is one of my least favorite words. It’s so often used to justify bad decisions.”
    • “That scared me more than anything, sometimes; the noise of my thoughts, the sense that even the space inside myself wasn’t safe.”
    • “That was the second major lie I told that week. It gets easier, in some ways; now I lie without expending any effort. But I think each one has its own weight. One alone may barely register, like a grain of sand in the palm of one’s hand. But soon enough there’s more than can be held and they start to slip through our grasp if we are not careful.”

The Surrender Tree, by Margarita Engle

The Surrender Tree

  • Genre
    • Poetry, Historical Fiction, Free Verse
  • Plot summary
    • The story of Cuba’s various wars for independence, told primarily through the eyes of Rosa, a former slave who becomes a gifted herbalist, dedicated to healing the wounds of enemy and friend alike.
  • Character empathy rating
    • I’d answer this question, but just thinking about it makes me reach for tissues, so I’ll just move on to the next one while I can still see straight. 
  • Tone: What’s it Like to Read This Book?
    • When you read other people’s reviews, the words that come up most often are “haunting” and “powerful.” And yeah, that sums it up pretty perfectly
  • Other Shiny Stuff
    • Most of the characters are taken from historical figures, including Rosa the healer. 
    • Lieutenant Death’s switch from being a sympathetic child to a dedicated Javert type figure is jarring and tragic, in the best way.
    • I swear I learned more about the Spanish-American war from these poems than any teacher ever taught me. 
  • Content Warnings
    • You get to learn about the world’s first concentration camps. So yeah, there’s violence here. 
  • Quotes
    • “The child tells me her grandmother
      showed her how to cure sadness
      by sucking the juice of an orange,
      while standing on a beach.

      Toss the peels onto a wave.
      Watch the sadness float away.”

    • “Hatred must be a hard thing to learn.”
    • I can’t understand
      why dark northern soldiers
      and light ones
      are seperated into different brigades.
      The dead are all buried together
      in hasty mass graves,
      bones touching.”
    • “Can it be true that freedom only exists when it is a treasure, shared by all?”

Long Hidden, Edited by Rose Fox and Daniel Jose Older

long-hidden

  • Genre
    • Short Stories, Fantasy, Science Fiction, Alternate History
  • Plot summary
    • This isn’t just any short story collection featuring authors of some minority or other. These are the stories that, for so long, people in Western Society haven’t been able to tell. These are the stories of the resistance, of the people who had to hide their identities in the margins, of the ones who were too busy surviving to write and who, if they had, would have had their voices muzzled by the colonizer’s need to only see narratives that paint them as heroes. 
  • Character empathy rating
    • Varies by author, but on the whole, these are stories unafraid to make you empathize with characters who are dirtied, broken, and ready to fight with nothing to lose. 
    • The focus is on protagonists of color, but you also get protagonists who are trans, disabled and political dissidents. If you’ve always hungered to see yourself in a story, odds are there’s someone like you here.
  • Tone: What’s it Like to Read This Book?
    • These stories will make you feel fierce. There is always a heartbreaking element to them. Some characters survive and triumph. Others are broken, but take their oppressors with them. But whatever happens to them, they are wild, they are angry, and they are free. 
    • In short, if you liked the way Rogue One made you feel, get this anthology.
  • Other Shiny Stuff
    • If you want to sample a lot of award winning authors of color at once, this is a great option. 
    • An encyclopedia of East African ogres
    • Gangsters squaring off against sirens
    • Baba Yaga teaming up with striking coal miners
    • Enchanted soldiers rising to challenge the conquistadors
    • In short, all the cool monsters and fierce fairies you could ask for
  • Content Warnings
    • Not for the faint hearted. Blood, guts, violence, dark magic and scary monsters, the scariest of which are often human.
  • Quotes
    • “I dream in shades of green. The dusty hue of swallow herb; the new growth of little hand flower; the deep forest shade of cat’s claw. Plants are my calling and, as in waking life, they sprawl across boundaries.” – The Dance of the White Demons, by Sabrina Vourvoulias
    • “Out in the middle of the Cross River there is an island. It appears during storms or when the river’s flooding or sometimes even on clear summer days. And sometimes it rises out the water and floats in the air. The ground turns to diamond and you can hear the women playing with the sparkling rocks. I call them women, but they are not women. So many names for them: Kazzies. Shuantices. Water-Women. The Woes. I like that last name myself.” – Numbers, by Rion Amilcar Scott
    • “You got to sell your heart for freedom… I’ve been watching them round up your people. Soldiers come knocking at the door, don’t give nobody time to gather clothes. Everything you had is gone. They take the children in one wagon, the parents in the other, just to make sure nobody runs. You think they dreamed that up special for you? The ones who run – well, they don’t listen to their hearts, do they? Their hearts are as cold as ice.” – Free Jim’s Mine, by Tananarive Due

The Suffering, by Rin Chupeco

the-suffering

  • Genre
    • Horror, Supernatural Horror, Ghost Story
  • Plot summary
    • In this sequel to The Girl From the Well, Tark and Okiku learn that the miko who helped them before has gone missing in an infamous haunted forest. They journey back to Japan to help her, and along the way discover a curse that tests even Okiku’s strength. 
  • Character empathy rating
    • High once again. I noted in my review of the first book in this series that Okiku managed to be simultaneously terrifying and lovable, which is a hard combination to pull off. So it should be no surprise that the same characters I loved then continue to make this series great. 
  • Tone: What’s it Like to Read This Book?
    • It’s a perfect homage to Japanese horror. Expect nightmares.
  • Other Shiny Stuff
    • One of those rare sequels that actually improves on the foundation built by the original
    • Opens with a haunted doll chase scene scarier than what most horror writers come up with for their endings. Goes on to top it easily
    • Cool use of Japanese elemental magic
    • More creepy monsters than your amygdala will know what to do with
  • Content Warnings
    • Did I mention this is a wee bit scary?
  • Quotes
    • “The air changes. Then that invisible spider crawls up my spine, tickling the hairs behind my neck.

      I have come to know this spider these last couple of years. It whispers there’s something else in the room, breathing with you, watching you, grinning at you.

      I hate that damn spider.”